In the UK we should be grateful for the fact that Crimson Tears exist at all because what we have here is actually rather a good EP, in fact, it's the best Gothic Metal with female vocals to come out of this country possibly ever. I don't know what it is about the UK, but we're fabulous at losing at our own games - cricket, football, Gothic Metal, you know the drill. We started the damn thing and everyone else excels at it. Well, I don't know whether we're anywhere close to regaining the Gothic Ashes but at least we're clawing our way in the right direction.

Crimson Tears comprises of five members, their ages ranging from late teens to mid 40s. This is, in an embarrassing way, the English version of Morning. Not since the days when I first fatefully spun "Circle Of Power" has a band been made of such a spaghetti'd hotchpotch of ages and experiences. Nevertheless, the difference between the two groups is stark from the first listen. The first thing that hits you about "Gothica" is the fact that the sound production on this album is solid. So often with these first EPs you get guitars that sound as if the strings are made of mushy peas while the snare drum sounds like the tin they came in. Not so here: everything is full, commanding and delightfully imposing and Gina Oldham's vocals are everything that they should be. There is the odd moment when they seem to lack a little feeling, but then, when singing lines like 'take me to heaven and play me like your guitar' it's difficult not to laugh. Maybe they had to edit that out.

The first song, "Eternity", is probably the best on the EP, with Gina's vocals climbing steadily throughout and building to a climax that sounds like, well, the beginning of the song but in a higher register. It's successor, "My Plea", is very Nightwish-esque especially with the orchestral hits on the keyboard and the chain-gun riffing followed by twiddly guitar interludes. This isn't actually bad stuff and there's certainly a good amount of potential here. Crimson Tears have obviously created some sort of foundation for themselves and if the Nightwish-esque ditties weren't intentional, then more songs like these might certainly snare other fans who like to spend their time skirting the top ridges of the genre. The title track, "Gothica", is a slower and longer number which gets a little repetitive after a while, whereas Crimson Tears really put the boot in for their finale, "Gardens Of Sorrow", which could certainly qualify as an entrant in a Nightwish simulation contest.

Nevertheless, "Gothica" should not be sneered at, since in spite of its obvious intentions to be recognised and appreciated for what it is, a new mewling infant in the Gothic scene, the music it carries is brimming with promise. There might be a little too much of the recognisable form in songs like "My Plea" and "Gardens Of Sorrow", but the overall result is a very positive one. I get the impression that this is Crimson Tears' first toe in the water, first attempt at recognition, and it's recognition that they deserve, since "Gothica" is very much a grab at the torch rather than a stab in the dark. These people know where they want to go and with a little drive, which judging by "Gothica" I'm sure they've got in them, they could definitely carry the banner for UK Gothic Metal. For a long time we've been waiting for someone to do just that, and maybe that time is not too far away.

Sonic Cathedral Webzine

[EAC-FLAC] by spiralarch
[MMT]
Yadisk
link by labanov

For some reason, U.K. bands seem to be some of my favorite. Of course, my favorite band from the U.K. is Power Quest, but Intense is awesome too and not very far behind. While not in the same style of Power Quest and Intense (and containing female vocals), Crimson Tears is the next U.K. band to greatly impress me. I'll label their debut "The Dark Awakening" as symphonic metal, but they have a gothic metal side and there are also influences from the mid-paced material of bands like Stratovarius, Sonata Arctica, Kamelot and obviously Nightwish.

Despite its gothic metal side, I don't find "The Dark Awakening" to be a very dark CD and it's surely not near as dark as the few CDs from Mercury Rain, probably the only band from the U.K. that I don't find to be outstanding. So "The Dark Awakening" is more in the vein of an upbeat and catchy CD with outstanding guitar work, but it's also extremely refreshing. In fact, this is probably the freshest female fronted symphonic/gothic/power metal CD I've heard in months.

Vocally, wow! Gina Oldham offers up the most original female vocals of the year by a mile. Her unique voice is somewhere in the mid-range (is not operatic), but she's more than capable of hitting both the lower and the higher notes, which she does quite often. Because she's so unique, I'll refuse an attempt to throw out some comparisons, but know that she may not be for everyone. Personally however, I absolutely love her voice and it only took a few listens to appreciate her accomplishments and overall performance.

"The Dark Awakening" has an amazing start; both track 1 "Angel For My Sin" and track 2 "Enemy Of My Enemy" are fairly fast-paced and will immediately grab most fans of female fronted metal. Track 3 "Eternity" leans towards gothic metal, but remains upbeat/exciting and nicely leads to the ballad "Frozen" (track 4), which contains piano highlights and Gina's softer vocals. Track 5 is awesome! It starts out with keyboards (extremely reminiscent of Stratovarius' song "Rebel") and is certainly the most memorable song on the CD.

We hit the middle of the CD with track 6 "Emotion Denied", easily the darkest and longest song on the CD, and it probably features Gina's most varied vocals as well. To my surprise, I like track 7 "Pandora's Realm Pt.1: Aurora" a lot. It's a slow piano instrumental that I feel is in the perfect spot on the CD, brilliantly leading up to the catchy track 8 "Pandora's Realm Pt.2: Luna Pandora" and track 9 "Razorblade Serenade". Both of those songs are excellent, but the final track ("Strange") is great too, as it really comes together at the chorus and has some cool keyboard parts near the end.

So we end up with the best female fronted CD I've heard this year! There is not one weak song to be found on "The Dark Awakening", and both the music and vocals come off as very refreshing. I have not one complaint and I hope the band continues with their superb variety of symphonic metal with gothic metal and power metal influences. I also hope they remain upbeat and exciting, as it's very easy to come back to this CD for repeated listens. Highly recommended!

Metal CD Ratings